Pierre Brassau refers to a 1964 hoax perpetrated by Åke "Dacke" Axelsson, a journalist at the Swedish tabloid Göteborgs-Tidningen. Axelsson came up with the idea of exhibiting a series of paintings made by a primate, under the presumption that they were the work of a previously unknown French artist named "Pierre Brassau", in order to test whether critics could tell the difference between true avant-garde modern art and the work of a chimpanzee.[1]
"Pierre Brassau" was in fact a four-year-old common chimpanzee named Peter from Sweden's Borås djurpark zoo. Axelsson had persuaded Peter's 17-year-old keeper to give the chimpanzee a brush and paint. After Peter had created several paintings, Axelsson chose the best four and arranged to have them exhibited at the Gallerie Christinae in Göteborg, Sweden.[1] Critics praised the works, with Rolf Anderberg of the Göteborgs-Posten writing, "Brassau paints with powerful strokes, but also with clear determination. His brush strokes twist with furious fastidiousness. Pierre is an artist who performs with the delicacy of a ballet dancer." One critic, however, panned the work, suggesting that "Only an ape could have done this".[1]
After the hoax was revealed, Rolf Anderberg insisted that Peter/Pierre's work was "still the best painting in the exhibition." A private collector bought one of the works for US$90.[1]
In 1969 Peter was transferred to the Chester Zoo in England.[1]